My Own Worst Enemy Reviews

 

Over the past few months I have almost eliminated all hardcore and street punk from my musical collection and replaced it with poppy albums chock full of songs about girls and so fourth. However one album that never left my collection was The Resistors last album "Damaged Ugly & Loud" and when I found out they were self releasing a new album I couldn't have been more excited.

 

 Once I got it and put it for its inaugural spin I was immediately wowed by the amazing bass line that opens the first song "American Empire". As I continued to listen this album proved to me that almost every song is a hit; each in its own way. All containing intelligent, fun and amusing lyrics; exceptional musicianship, and catchy sing a long melodies that are in most cases are complimented by tasteful backing vocals. With each and every song being as good as it is you really can't loose with a kick ass album like this. The only thing I can't figure out about this album is which song actually is my favorite. (Might be either "Tequila Has A Way" or "Walking Ruin") But no matter what you choose as your favorite song this is one album you need to own. 

Noah WK

 

 

 

 

 

I’ve always been a person who kept my politics and my punk in two separate piles. It may sound contradictory to the music’s revolutionary roots, but I’d rather hear a song about a girl than about Bush. Saying that, Columbus Indiana ’s Resistors bridge the gap between the two extremes, questioning authority with tunes like American Empire and Dear Mr. Bush, while simultaneously lightening the mood with songs like Internet Girlfriend. This is classic street punk that reminds me of all those great classic punk documentaries, and if that’s your thing then the Resistors are what you’ve been looking for.

Danny Nuthin

 

 

 

I like the Resistors. They write great political tunes which make every bit of sense - the desperate letter tone plea in "Dear Mr. Bush" quotes some shocking statistics. They also have a great wide source of inspiration - this is immediately clear in "American Empire" which could be an out take from Blue Oyster Cult's occasionally trippy (such as this opener) classic Secret Treaties and follow-on "Blood Oil And Sand" which to me definitely borrows the eerie gothic vocal style from the Sisters Of Mercy and early-era (Danzig)Misfits.

What I respect about this band is the fact that they're not just trying to be the next Anti-Flag (not that I dislike Anti-Flag, they're just an example) musically. They share the political edge, but take inspiration from all the old punk and heavy metal guitarists (early Kiss, Ramones, New York Dolls, Blue Oyster Cult as mentioned - all from or formed in New York, an interesting side note!) whilst having enough fun to lighten the weight of some of the more serious themes on display - "Walking Ruin," involving the dodgy combination of the government and pot, is a direct opposite to the twanging carefree mood of delinquent romance in "Tequila Has A Way," a song which, in a truly pop-punk fashion, relies on leads, leads, leads as the main hook. As you should know by now, leads are very important to me, "Tequila Has A Way" being my favourite Resistors pop song.

However, not everything is perfect. The Resistors have hooks, sure, but it seems to me that they are not evenly distributed to all twelve tracks. This can be forgiven in the case of certain songs ("Dear Mr Bush"), but when it comes to relatively good ideas in an intentionally fun track such as "Nowhere Fast," there's just not enough there. Three minutes with a killer guitar solo, but somehow even after repeated listening there's little else to fill the void between one hook and another. This is only a minor grumble with an otherwise enjoyable listen! If these dudes exhibited their talent more often with a few more numbers in the vein of "Long Long Time Ago" and "Tequila," they would become a force not to be reckoned with. But as it stands, I think the Resistors should re-consider their priorities and start producing more concise material such as E.P's and singles. But what the hell, this album is a bargain ($5/around £2.50)

Punk Or Nothing

 

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